Filters producers

• Dynamic closed-back design
• Natural, tight, and accurate sound reproduction
• Linear response throughout the frequency range
• Balanced studio-quality sound
• High-performance phase-coherent drivers for excellent imaging
• Great choice for home studio
• Over-the-ear design built for comfort and isolation
• Soft cushion ear cups with 90-degree swivel for easy single-ear monitoring

- Audio Tracks Recording
- Realtime Time-Stretch and Pitch-Shifting
- Audio and MIDI drag-and-drop
- Redesigned user interface
- Ableton Link support
- Bluetooth 4.0 MIDI support
- Advanced signal routing capability
- Reimagined mixer layout
- Clip Launching
- Enhanced Q-Link control

- Type: Alpha 50 Evo Monitoring
- Frequentierespons (+/- 3 dB): 45Hz - 22kHz
- Maximale SPL: 101 dB SPL (piek @ 1 m)
- Ingangen: TRS: symmetrisch 10 kO, XLR: symmetrisch 10 kO, RCA: asymmetrisch 10 kO: met gevoeligheidscompensatie
- Versterker midden- en lage frequenties: 30W (muziek), klasse D
- Versterker hoge frequenties: 20W (muziek), klasse D

Replacing Spirit Professional, Listen Professional is equipped with brand new highly-tested mechanical components designed for intense use. These closed-back headphones offer undisputable acoustic performance and maximum comfort. Like Clear Professional, they are supplied with a rigid carrying case to offer maximum protection while travelling.

Scarlett 2i2 Studio is everything you need to record your music to release-ready standards. Hook up the CM25 MkIII condenser microphone to our most detailed ultra-low-noise mic preamps. Plug guitars straight in to 2i2's Hi-Z inputs. Connect keys and synths to the super-high-quality line ins. Then listen in detail with the SH-450 headphones.

Auto Gain and Clip Safe make sure you'll never need to worry about your levels. Air mode, with Presence and Harmonic Drive, gives you that big console sound wherever you record. And the Hitmaker Expansion software bundle includes all the tools you need to record, produce and release your tracks.

Grandmother® is a semi-modular analog synthesizer with a built-in arpeggiator, sequencer and spring reverb tank.

Moog Grandmother Dust Cover

Matriarch is a patchable 4-note paraphonic analog synthesizer with a built-in Sequencer, Arpeggiator, stereo Ladder Filters, and stereo Analog Delay.

Moog Matriarch Dust Cover

Mavis is a build-it-yourself analog synthesizer kit that delivers the huge depth of sound Moog is known for in a compact and feature-packed instrument.

Originally released in 1970, Minimoog Model D was the world’s first portable synthesizer and served as the archetype for all electronic keyboards that followed. The all-analog instrument gained acclaim for combining the colossal sound of the 1960s Moog modular synthesizers with the accessibility of pre-wired modules—meaning that it could be played instantly and intuitively with no patch cables required. It was quickly embraced by a diverse roster of performers, with artists like Herbie Hancock, Kraftwerk, Rick Wakeman, Sun Ra, Piero Umiliani, Giorgio Moroder, Bernie Worrell, and Gary Numan all shaping unique sounds and forging new musical genres using the instrument.

The Minitaur® is an inconspicuously compact, subharmonic bass machine designed to effortlessly integrate into any performance and computer-based music solution. Just as its progenitors, the Minitaur effortlessly does one thing above all others… wall splitting analog BASS.

Mother-32® is an intuitive and expandable semi-modular synthesizer that adds raw analog sound, powerful sequencing and extensive interconnectivity to any creative, electronic or modular ecosystem.

IN THE BOX
Power supply
Four-Channel Mother Summing Mixer / Power Distro
3-tier Rack System and Assembly Hardware
4x 12” 3.5mm TS Patch Cables
4x 18” 3.5mm TS Patch Cables
3x 18" Audio Cables
3x Barrel to Barrel DC Connectors
Phillips Head Screwdriver
Dust cover
QSG
Safety instructions

Meet Muse, the fourth Moog polysynth ever created. It’s
an eight-voice analog bi-timbral polyphonic synthesizer —
the culmination of over 5 years of dreaming, design, and
passion. Muse is an intuitive and powerful instrument
built on the rich history of Moog, while simultaneously
gazing boldly into the future. It’s designed to be rugged
and portable for the stage, while equally at home as the
centerpiece of a modern studio.

Spectravox, the newest member of the Moog semi-modular family, is a
groundbreaking tool for sculpting sound. An analog spectral processor
based around a 10-band filter bank, Spectravox creates lively drones and
colorful tonal sweeps on its own and adds resonant depth and psychedelic
spectral movement to any external sound. Hook up a microphone and
Spectravox becomes a 10-band analog vocoder with innovative integrated
modulation of all of its filters. An exploration and expansion of the topology
of the vocoder and filter bank, Spectravox is a highly flexible instrument
and signal processor with a comprehensive patch bay for integration into
studios of all sizes.

Subharmonicon is a semi-modular polyrhythmic analog synthesizer designed for the exploration of sequences that unfold and evolve over time, spiraling through 6-tone subharmonic chords and organic polyrhythms.

Subsequent 25 is a 2-note paraphonic analog synthesizer that melds the hands-on analog soul of classic Moog instruments with the convenience and workflow of a modern sound-design machine. Moog’s most compact keyboard synthesizer, the Subsequent 25 delivers all of the rich sonic density that Moog synthesizers are known for.

Moog Subsequent 25 Dust Cover

The Subsequent 37® is a (2-note) paraphonic analog synthesizer that builds upon the award-winning design of the ultra-powerful Sub 37 Tribute Edition. Its control panel is home to 40 knobs and 74 switches, placing a vast array of analog sound-design tools and onboard sequencing options immediately at your command.

Moog Subsequent 37 Dust Cover

- 4" + 1" drivers
- 130 + 70 W Output power
- Freq respons: 53 Hz - 22 kHz, ± 6 dB (-6 dB free field)
- Max SPL: 108.8 dB SPL
- Low latency DSP engine (2ms)
- Setup, align and operate with Neumann.Control fo iPad
- Delivers excellent detail in every surrounding

- Trigger loops and effects and play virtual instruments with 16 full-size, velocity- and pressure-sensitive RGB pads
- 8 assignable pad banks
- MIDI Keyboard mode, Note Repeat mode, and Full Velocity mode to customize instrument control (application-dependent)
- 4 programmable rotary encoders and 20 assignable buttons; navigate and set more parameters faster
- Pressure switchable between MIDI aftertouch, channel pressure, and CC messages
- Selectable pad velocity curves and pad pressure thresholds

- A complete music production package featuring a hybrid MIDI keyboard/pad performance and production controller with Studio One Artist and Ableton Live Lite both included
- 32 velocity- and pressure-sensitive, RGB LED pads in a unique, staggered layout; intuitive for keyboard players and step sequencer fans
- Context-sensitive screen displays valuable parameter information, including CC assignments, swing, and much more
- Eight endless rotary encoders can be easily configured to control nearly any software parameter
- Includes 2 loop packs with custom kits for Impact XT
- Expressive arpeggiator for dramatic, easily-performed melodies
- Includes custom-curated content libraries for ATOM SQ
- Constrain to Scale feature puts an end to wrong notes forever
- MCU and HUI modes for transport control in nearly every DAW
- Powerful MIDI mode lets you control your favorite DAW or virtual instrument with ease
- USB bus-powered for easy connectivity and maximum portability

-Broadcast-quality dynamic capsule
-Optimised for speech applications
-Internal pop filter to minimise plosives
-Robust, all metal construction
-Designed for use with RØDECaster™ Pro Podcast Production Studio
-Polar Pattern Cardioid

- Distinctive 606 sound of classic & underground tracks
- Reimagined with more versatility
- Control tuning, decay and pan of each instrument
- Add warm overdrive or agressive distortion
- Increase creativity with compressor and tempo delay

Based on the much-loved TR-8S, the compact and affordable TR-6S has the
same speaker-pummeling, window-rattling, body-moving sound of its bigger
sibling. Elevate your drum tracks, make beats on the go, and experience the
joy of hands-on production. With the TR-6S, the sound of classic tracks, today's
trends, and tomorrow's hits are always within reach.

- 24-bit/192 kHz USB 2.0 audio interface
- 4 Class-A D-PRE mic preamps supporting +48 V phantom power
- Rupert Neve Designs transformer switchable on each front input channel
- 4 analog XLR/TRS combo inputs (Mic/Hi-Z on input 1/2 and Mic/Line on input 3/4), plus 2 TRS line inputs, 2 separate headphone buses with individual outputs

-2-way bass-reflex bi-amplified nearfield studio monitor with 6.5" cone woofer and 1" dome tweeter
-43Hz - 30kHz (-10dB), 55Hz - 24kHz (-3dB) frequency response
-60W LF plus 35W HF bi-amp system for high-performance 95W power amplification
-ROOM CONTROL and HIGH TRIM response controls
-XLR and TRS phone jack inputs accept balanced or unbalanced signals
-Mounting points on 4 surfaces

10“ Subwoofer (paper)
Amp. Power RMS: 130 W
Frequency Response: 28 Hz - 120 Hz
Max. SPL at 1 m: =104 dB
Optimized for T Series studio monitors