8 stereo channel / 4-buss line mixer - (8) stereo 1/4" TRS balanced inputs with -10/+4dB switch - 1U rack mountable - Mic input with trim control on front panel - 2-segment LED meter per channel - ST1 and ST2/AUX level control per channel - ST1 and ST2/AUX master level controls - Each channel switchable to ST2 (pre fader) or AUX (post) output - 1/4" and 1/8" stereo headphone outputs - ...

(8) stereo 1/4" headphone outputs - 250mW + 250mW @ 32ohm per channel
Each headphone output switchable to input 1, input 2 and direct input source (or a combination) - Master input gain controls - (16) 1/4" TRS balanced direct inputs - (4) XLR balanced inputs (Channels 1 & 2) - (2) 1/4" TRS balanced inputs (Chan 1) - (2) RCA unbalanced inputs (Chan 2) - (4) TRS balanced foldback outputs - ...

- Audio resolution: 44.1/48/88.2/96 kHz, 16/24 bit
- Connectors: D-sub 25-pin
- Locking screws: No. 4-40 UNC (inch type)
- Nominal input level: +4 dBu, +6 dBu (only when maximum input level is +15 dBu)
- Maximum input level: +24 dBu, +22 dBu, +20 dBu, +18 dBu, +15 dBu (set by REF. LEVEL switches)

- Audio resolution: 44.1/48/88.2/96 kHz, 16/24 bit
- Connectors: D-sub 25-pin
- Locking screws: No. 4-40 UNC (inch type)
- Nominal input level: +4 dBu, +6 dBu (only when maximum input level is +15 dBu)
- Maximum input level: +24 dBu, +22 dBu, +20 dBu, +18 dBu, +15 dBu (set by REF. LEVEL switches)

- Number of channels and formats: 4 channels, 44.1 kHz, 48 kHz, 88.2 kHz, 96 kHz, 16/24 bit
- Analogue outputs (ANALOG OUT): ML-4D/OUT-E: Balanced Euroblock connectors, 3.81 mm pitch
ML-4D/OUT-X: XLR connectors (XLR-3-32, 1: GND, 2: HOT, 3: COLD)
- Nominal output level: +4 dBu (Ref(D) ? -9 dBFS), +6 dBu (Ref(D) = -9 dBFS)

2 In/2 Out Analog MIC/Line DANTE Converter with DSP, Euroblock connectors 1/2 19

2 In/2 Out Analog MIC/Line DANTE Converter with DSP, XLR connectors 1/2 19", 1U

- Number of channels and formats: 4 channels, 44.1 kHz, 48 kHz, 88.2 kHz, 96 kHz, 16/24 bit
- Analogue inputs (ANALOG IN): MM-4D/IN-E: Balanced Euroblock connectors, 3.81 mm pitch
MM-4D/IN-X: XLR connectors (XLR-3-31, 1: GND, 2: HOT, 3: COLD)
- Minimum input level: -70 dBu
- Maximum input level: +26 dBu

- Number of channels and formats: 4 channels, 44.1 kHz, 48 kHz, 88.2 kHz, 96 kHz, 16/24 bit
- Analogue inputs (ANALOG IN): MM-4D/IN-E: Balanced Euroblock connectors, 3.81 mm pitch
MM-4D/IN-X: XLR connectors (XLR-3-31, 1: GND, 2: HOT, 3: COLD)
- Minimum input level: -70 dBu
- Maximum input level: +26 dBu

12-channel analogue mixing console with built-in 16-channel multi-track recorder and USB audio interface

14-channel analogue mixing console with built-in 16-channel multi-track recorder and USB audio interface

- Audio formats: 44.1/48 kHz, 16/24 bit
- USB port: 4-pin USB B-type
- Transfer rate: USB 2.0 High Speed (480 Mbit/s)
- Analogue inputs (ANALOG IN): Balanced Euroblock connectors, 3.81 mm pitch
- Minimum input level: -70 dBu
- Maximum input level: +26 dBu
- Input impedance: =2.2 kO
- Analogue outputs (ANALOG OUT): Balanced Euroblock connectors, 3.81 mm pitch

AC adapter for various Tascam products

- Input power: AC100-240V?50/60Hz
- Output power: 5.0V?2A
- Dimensions: 38(W) × 58(H) × 31(D)mm
- Weight: 53g
- Included items: PS-P520U, Adaptor plugs, USB cables

Wireless/wired remote control for Tascam portable audio recorders, 6 transport/ mark buttons, 4 function buttons
EAN: 4907034119813

- Compatible with Tascam Model 24, TA-1VP and DP-008EX
- Non-slip rubber surface
- Resistant cast material
- Polarity switch for normally open and normally closed contact
- 1.8 m Connection cable with 6.3 mm jack plug
- Dimensions (WxHxD): 83 x 28 x 102 mm
- Weight: 300 g

Direct Play Remote
20 direct play buttons
Stop/Load button
Space for legend strip
Connection LED
Dimensions: 8.25i W x 0.78i H x 3.7i D
Weight: 13.4 oz
Cable Length: 12.8 feet

3-way footswitch for the GB-10, LR-10, DP-03 and other TASCAM recorders and players. The 1/8" mini jack plugs into the "remote" jack of these TASCAM products to add features like play/pause, looping or punch in.

Twelve flash play buttons trigger recordings on the SS-R250N or SS-CDR250N
Play and pause buttons
Color LCD with brightness control
Color display shows file name, time count, level meter, and other operational info
Eight pages of sounds can be stored, for a total of 96 available tracks
Buttons designed for minimal clicking noise
Rugged housing design for long professional use

Wall-mounted programmable controller for MX-8A
Equipped with 1 encoder (with push switch) and 4 switches
Enables switching sources and adjusting volume (including muting)
Functions can be assigned to the encoder and the switches using TASCAM MX CONNECT
Prevents end-users from making mistakes by assigning only necessary functions to the controller
Two source switching modes available

- Up to 10 audio inputs and 2 audio outputs for a Windows or Mac computer or iOS device
- Audio resolution up to 192 kHz / 24 bit
- Two analogue mic/line inputs (XLR/TRS)
- Ultra-HDDA microphone pre-amps
- Individually switchable 48-Volt phantom power
- TRS inputs can be switched to instrument-level
- Gain controls, signal and peak indicators on each analogue input
- Optical audio input

- Up to 20 audio inputs and 8 audio outputs for a Windows or Mac computer or iOS device
- Audio resolution up to 192 kHz / 24 bit
- Four analogue mic/line inputs (XLR/TRS)
- Ultra-HDDA microphone pre-amps
- Individually switchable 48-Volt phantom power
- TRS inputs can be switched to instrument-level
- Gain controls, signal and peak indicators on each analogue input
- Two optical audio i

Eight-channel microphone preamp with eight analogue outputs and multi-channel optical outputs

Key Features

- Tascam VIEW (Visual Interactive Ergonomic Workflow) interface allows intuitive operation with three different view modes
- Multiple displays with two 7-inch colour touchscreens
- 44 input channels (40 mono, 2 stereo)
- 22 flexible output buses plus main L/R bus with 31-band graphic EQ
- 54-bit float-point FPGA mixing engine, 96 kHz sampling rate
- Ultra-low latency: 2× Fs (20.8 μs) in mixing engine, 0.51 ms analogue-to-analogue
- 32-bit/96 kHz A/D and D/A conversion
- Tascam HDIA (High-Definition Instrumentation Architecture) microphone preamplifiers
- Built-in Dante interface (64 inputs/outputs); supports redundancy, AES67, DDM and SMPTE 2110
- 32-bit/96 kHz USB audio interface (32 inputs/outputs)
- 16 mic/line inputs (up to +32 dBu), 16 XLR line outputs with flexible routing
- Four multi-effects processors
- Tascam Sonicview Control software for Windows, macOS and iPadOS enables remote control and off-line editing
- Two Tascam expansion slots
- Optional 32-track SDXC recorder, MADI, AES/EBU and analogue I/O cards available for the second slot

Other Features

- Operating systems for hardware mixing surface and mixing engine are independent of each other for high stability and continuous audio flow
- Faders can be individually removed and replaced, top panel can be disassembled without disconnecting cables for easy servicing
- Library for snapshots, effects, modules, parametric EQ, graphic EQ, gate, compressor
- 18 assignable user keys, seven custom fader layers, eight DCA groups
- 16+1 100-mm motorised faders
- 16 encoder knobs with colour LEDs
- 16 LC displays with colour LEDs for channel name, input level and gain reduction meter
- Internal 2-track recording/playback with SD card or USB flash drive
- 8 TRS line inputs, 2 RCA stereo input pairs, XLR talkback input
- XLR monitor outputs
- Standard (6.3-mm) and mini (3.5-mm) headphones outputs
- Word clock In, Out/Thru
- 1000BASE-T gigabit Ethernet
- 8-in/8-out GPIO on DB25 connector
- TRS footswitch connector
- XLR 4-31 lamp connector
- Power switch with guard
- Optional Dante-enabled stage box with 16 inputs/outputs (SB-16D)

Key Features

- Tascam VIEW (Visual Interactive Ergonomic Workflow) interface allows intuitive operation with three different view modes
- Multiple displays with three 7-inch colour touchscreens
- 44 input channels (40 mono, 2 stereo)
- 22 flexible output buses plus main L/R bus with 31-band graphic EQ
- 54-bit float-point FPGA mixing engine, 96 kHz sampling rate
- Ultra-low latency: 2× Fs (20.8 μs) in mixing engine, 0.51 ms analogue-to-analogue
- 32-bit/96 kHz A/D and D/A conversion
- Tascam HDIA (High-Definition Instrumentation Architecture) microphone preamplifiers
- Built-in Dante interface (64 inputs/outputs); supports redundancy, AES67, DDM and SMPTE 2110
- 32-bit/96 kHz USB audio interface (32 inputs/outputs)
- 24 mic/line inputs (up to +32 dBu), 16 XLR line outputs with flexible routing
- Four multi-effects processors
- Tascam Sonicview Control software for Windows, macOS and iPadOS enables remote control and off-line editing
- Two Tascam expansion slots
- Optional 32-track SDXC recorder, MADI, AES/EBU and analogue I/O cards available for the second slot

Other Features

- Operating systems for hardware mixing surface and mixing engine are independent of each other for high stability and continuous audio flow
- Faders can be individually removed and replaced, top panel can be disassembled without disconnecting cables for easy servicing
- Library for snapshots, effects, modules, parametric EQ, graphic EQ, gate, compressor
- 18 assignable user keys, seven custom fader layers, eight DCA groups
- 24+1 100-mm motorised faders
- 24 encoder knobs with colour LEDs
- 24 LC displays with colour LEDs for channel name, input level and gain reduction meter
- Internal 2-track recording/playback with SD card or USB flash drive
- 8 TRS line inputs, 2 RCA stereo input pairs, XLR talkback input
- XLR monitor outputs
- Standard (6.3-mm) and mini (3.5-mm) headphones outputs
- Word clock In, Out/Thru
- 1000BASE-T gigabit Ethernet
- 8-in/8-out GPIO on DB25 connector
- TRS footswitch connector
- XLR 4-31 lamp connector
- Power switch with guard
- Optional Dante-enabled stage box with 16 inputs/outputs (SB-16D)

- Recording media: SD cards (512 MB-2 GB)
SDHC cards (4-32 GB)
SDXC cards (64-128 GB)
USB flash drives (512 MB-64 GB)
CD-R/CD-RW
- Recording and playback file formats: MP3: 44.1/48 kHz, 64/128/192/256/320 Kbit/s
WAV: 44.1/48/96 kHz, 16/24 bits
CD-DA
- Number of channels: 2 channels (stereo), 1 channel (mono)

Antares Auto-Tune Evo real-time pitch correction with enhanced tracking and correction capabilities
Antares Microphone Modeling simulates a variety of high-end studio microphones with variable proximity effect
Analog tube modeling effect
Variable-knee compression
Downward-expanding gate processor
Variable frequency de-esser
Flexible 2-band parametric EQ

- Element: Back Electret Condenser
- Polar pattern: Super-cardioid
- Frequency response: 30Hz - 20kHz
- Sensitivity: -40dB +/-3dB (0dB=1V/Pa at 1kHz)
- Output impedance: 200Ω +/-30% (at 1kHz)
- Low-cut filter: 3dB/oct at 160Hz
- Output connector: 3 pin XLR, Male
- S/N ratio: 74dB (1kHz at 1Pa)
- Max. SPL: 132dB (at 1kHz ≦ 1% THD)
- Power: 48V DC
- Dimensions: 23 mm (Diameter) × 153 mm (L)
- Weight: 53g (Microphone body only)
- Included items: Windscreen, Mic clip with shoe mount, Soft case, Owner’s manual (warranty included)

- USB connector: USB Type C receptacle
- Sampling freq.: 44.1 kHz, 48 kHz
- Freq. response: 20 Hz - 20 kHz
- Sensitivity: -32 dB (0 dB = 1 V/Pa at 1 kHz)
- Max. permissible SPL: 130 dB SPL
- Distortion: 0.01 % / 0.005 %
- S/N ratio: 89 dB / 96 dB
- Dynamic range: 89 dB / 93 dB

- Element: Dynamic
- Polar pattern: Super-cardioid
- Frequency response: 30Hz - 20kHz
- Sensitivity: -51dB +/-3dB (0dB=1V/Pa at 1kHz)
- Output impedance: 250 Ohm +/-30% (at 1kHz)
- Connector: 3 pin XLR, Male
- Included items: Desktop stand, Shock mount mic holder (5/8inch screw diameter), XLR mic cable