2 Channel VCA Bus Compressor

- Pure Class A, 100% discrete design
- Forward musical detail and sonic excellence
- Minimum audio signal path
- High quality transformer input & isolated output
- Microphone and Hi-Z inputs to +36dB
- Very low noise -100dB
- High headroom +30dB
- Switched 2dB, high-gain preamplifer to +66dB
- DC coupled Pure Class A output
- Large illuminated professional VU meter

The Avalon VT-737SP features a combination of TUBE preamplifiers, opto-compressor, sweep equalizer, output level and VU metering in a 2U space.

AUTEUR MKII Mic Preamp/DI

B172A Hybrid F.E.T. Opto Compressor/limiter

BLUEY Modified Blue compressor

EIGHTEEN Vintage Preamplifier/Induction Equalizer Channel Strip

MICROCLOCK MK3 XB Clock

-Mic Preamp Connector: XLR Floating balanced, Pin 2 Hot
-Mic Preamp Input Impedance: ~4.2kO
-Mic Preamp gain: 0dB to +60dB
-Mic Preamp Phantom Power: +48VDC, applied to XLR pins 2 and 3 through 6.81kO resistors
-CMRR: >40dB, typically 55dB
-Mic Preamp max input level: 0.2Vrms, Gain = 30dB
-Mic Preamp Equivalent Input Noise (EIN): -125dBu, 22Hz-22kHz, 150O source impedance

- Microphone input impedance: HI, 1200 Ohm minimum, LO, 300 Ohm minimum. Higher gain positions gradually have greater impedances, optimum for lo gain ribbon mics. Input is Carnhill transformer balanced and floating.
- Line input impedance: 10K Ohms bridging, Carnhill transformer balanced and floating.
- DI input impedance: Greater than 2 Megohms, unbalanced.

- Maximum input level: Over +22 dBu.
- Maximum output level: Over +26.5 dBu into 600 ohms.
- Self-Noise: Less than -75dBu 20Hz-20Khz. -80dBu A-weighted.
- THD+N (50Hz- 20Khz): not engaged, less than 0.07% at +20dBu.
- Frequency response, COMPRESS and LIMIT OUT, +- 0.5dB, 15Hz- 30Khz.
- Input impedance: 10Kohms, transformer balanced and floating.

Designed for situations where less track counts are enough, but added flexibility is needed. Its 4 auxiliary sends allows cue mixes, analog reverb and fx sends, parallel compression, etc, all in the analog domain. It also has balanced points on every input and output for outboard gear integration. 4 transformers and a class A output stage ensures a correct vintage sound.

Pultec Style Tube Equalizer The EQP-WA is a re-creation of the most renowned tube Equalizer in studio history, the "Pultec EQP-1A". Not only does the look and feel of the EQP-WA match the classic Pultec units, but the sonic quality has been carefully considered by using top-end components such as CineMag transformers and premium tubes. This fully discrete Tube EQ can pull euphoric sonics from any

Analog Tone Though digital technology and software have made great strides in recent years; we still believe that nothing compares to the level of articulation, depth, realism, and responsiveness of a well-built piece of analog gear. When you hear the bottom-end presence and top-end detail of quality analog gear, the difference is astounding. The cost of most boutique analog equipment is financia

A Single Channel '73 For The Rest Of Us If there’s one style of preamp that professional engineers would unanimously agree has defined the tone of pop/rock records for decades, it would most definitely be the venerable '73-style of mic pre. '73-style preamps have been massively used in recording and live applications for many years and are still considered to be the “Holy Grail”

Classic Style The WA76 Discrete Compressor is a modern reproduction of the Classic '76 Revision D. The WA76 has a fully discrete signal path and uses the original Reichenbach Engineering's (now CineMag) transformer design. The classic '76 was a major breakthrough in limiter technology, and used on hundreds of hit records since its inception. Engineers have craved the ultra-fast attack time and tr